MiX16 PRO at Mac App Store analyse

Hi, this app is so lovely. I found a mistake... I work on my macbook pro (mix16 pro) and i want to open my setup in my ipad (imix16 pro), but i can’t open the file. It’s cool to built the with the laptop but better to use in a show with the ipad. Can you solve this ? thanks (sorry for my english)

I just purchased the mix16 PRO and it did exactely what my band need. We use a lot of vídeos, still images and audios during our concert and mix16 is perfect for the job! As i plugged the thunderbold adaptor for the external monitor, the video was there, full screen, without errors or any other configuration! Just download, load your files and be happy! Now comes the best part. I wrote an email for say congrats and the Grega, the app ’s developer answered in a few minutes asking for suggestions to improve it! Can’t get better than this! Cheers - Bruno Hack - Curitiba/Brazil!

Nach dem letzten Update geht gar nichts mehr.Mist. Bitte sofort die Fehler beheben sonst Geld zurück!!!!!

I used this program to run sound and video backing tracks for A Chitty Chitty Bang Bang musical. It works brilliantly! However, when a singer is singing to a song that’s part of a video that’s playing, and the user running the program inadvertently hits the next cue button half way through the currently running video track… During a live production… There is no playhead control! So going back to the previous cue and moving the playhead ahead to the point where the talent was singing, isn’t even an option. Perhaps making it so that when the “Next” cue button is pressed, the playhead position is recorded so that when a new-button-that-needs-to-be-made-called-“Back” is pressed, the production can continue where it left off, and the 9 year old with a solo doesn’t have to sing acapella! Also, it’s not very usable for rehearsals, as there’s no playhead. If you’re in a tech rehearsal for instance, and you want to do a cue to cue practise, you cant move the playhead ahead to the end of a song or video to work the transitions and practise the use of the software efficiently. All this aside, the simplicity of creating cues and being able to advance consistently and reliably is a boon for any theatre looking for a platform to run shows with.

I am running the audio for a broadway class, musical production and needed an app that could handle multiple channels playing simultaneously, loading lots of cues for music and sound effects (upwards of 150), easily nagivate bettwen cues and set the sound level independently for each cue. And most important - run stable. Ive used MiX16 Pro for three weeks now in rehearsals (multiple hours per day) with no crashes, on my Dual Core MacBook (OS X 10.8.5). I had a few suggestions after initially purchasing it. The developers response time was near immediate. He listened to my input and quickly implemented multiple feature requests (coded, tested and released through Apple within two weeks) -- two of which save a tremendous amount of time preparing and changing cues. I would highly recommend this app if you need to run audio and/or video in a show environment. And the support is first class! One tip from the developer that I use -- if you need more than 64 audio cues per set and have unused video channels, you can convert the audio files into M4A format, rename them to MP4 and load them up in the video channels (setting Fade Source to Audio). This gives you up to 64 additional audio channels in a single set, which in my situation have been a significant benefit.